Recently, I embarked on a new project, copying an original linen paletot from the 1860s. Paletots are similar to a frock coat, though they lack a seam across the front waist, and could be cut anywhere from very fitted, to loosely fitted. I decided to make mine semi-fitted, with a shapely yet relaxed fit.
The first step was drafting the paletot, which I did using a draft from Devere’s Handbook of Practical Cutting on the Centre Point System, 1866.
The drafting was fairly straightforward. Here you can see the forepart and sidebody drafts. At the waist are various construction lines, I think I must have miscalculated and redrawn the waistline a few times. These lines are important for measuring purposes and come in use during the construction process to find the position of the bottom button, for example.
Seam allowances of 1/2 inch were added to all pieces, which were then cut out. Here I’m figuring out the roll line based on a sketch I did of the original coat. Since I was unable to measure the coat, I’m basically working with proportions and angles here.
Next I made a toile for the client, including the sleeves and collar, since this was an unfamiliar pattern. From here I was able to make a few adjustments to make the fit just so.
I love the shape of the profile view, especially around the hollow of the back.
After finalizing the pattern and cutting out the coat in the actual linen fabric, I set about the construction process. The seams were quick to construct. First they were sewn, right sides together, and then the raw edges pressed under themselves and felled with a tiny stitch.
Here’s a close up of the inside of the seam.
And the outside of the seam.
Here’s how the coat looked after sewing the side body to the forepart, and attaching the back body.
From here, facings were added, the coat halves were joined together, collar sewn, and sleeves attached, giving the completed coat. I really love how this turned out, the shape is just about perfect.
The sleeves are curved as per the style of the early 1860s.
And a view of the back showing how all of the pieces come together. I used mother-of-pearl buttons, and the two in the back serve a dual-purpose of being both fashionable and strengthening the intersection of the skirt, back, and sidebody.
Here’s a video I made showing more of the construction details that went into making this beautiful coat.
If you’re interested in a paletot for yourself, enter your name into the form below and I will be in touch when I’m ready to make more. I’ll most likely again be taking orders in February 2020.
Constructing Darts or Fishes
I’m interested in a paletot for myself. I am entering my name into the form below so that you will be in touch when you’re ready to make more. (most likely taking orders in February 2020).
Thank you Andrew, I’ve got you on the list now.
Did you use any machine stitching on this and are those MOP buttons?
Yes, I used machine stitching for the main seams and for the top stitching just as the original did. The seams were then felled by hand.
Is “felling” the name of the technique of attaching the seam edges to the underlying garment? Why do you do this?
Yes, that is called felling. It’s done to hide the raw edge underneath and prevent unraveling.
Hello there, could you please add me to the list. Is a summer linen frock coat only made out of white linen? I bought some light brown linen-(We once saw someone wearing one that color. It was very light-thin material. We asked if that would have been correct to the period. They said yes-would you know? Thank you in advance.) i am interested in making or having one made for my husband.
Going to send you an email!